• Events
    • Tickets
      • Eventbrite
      • Resident Advisor
    • Live
    • Photos
    • Conduct
  • About
    • News
    • Artists
    • Our Story
    • Contact
  • Membership
  • Donate

pandemic

divider

How the Pandemic Has Shone a Spotlight on Our Values

May 21, 2021 by Open House Conspiracy
Editorial
COVID-19, culture, dance music, livestreaming, music, nightlife, pandemic, safe space, spotlight, values

For some, the pandemic was a real eye opener. With others, it just brought to the surface and exposed what we already knew. For our organization, it reinforced some of the traits that have come to define our collective and how we choose to operate. We are a community minded group driven by a deep passion for the music and culture. As the light at the end of the tunnel starts to wash over us, with more and more things feeling possible again and people beginning to envision a post-pandemic life, it’s a good opportunity to reflect on all this.

While there is a lot of talk about the future, it’s important to recognize that the pandemic isn’t over and at this point there is no clear cut closure, instead transitioning into another endemic risk we simply live with. We are all probably best served by cautious optimism and stripping of our reservations, rather than a full-fledged reversal of all the protections we’ve taken so far. Still, now that the local rules effectively shuttering our business have finally been lifted, the US vaccines have proven highly effective in the real world, and CDC guidance has changed (as a result) so that those who have done what is necessary to protect themselves and each other no longer have to be policed regarding masks, it feels like the pandemic is close to being behind us. There are still too many cases, but hopefully they continue to drop further down as more people get vaccinated, until they become a negligible background number. We must practice patience until then, as it will take some time to properly distribute and give people a fair shot at the vaccine.

This may come as a surprise to some since compliance was often completely absent, but for much of the pandemic we were not legally allowed to operate as a dance party. While we could work within requiring masks when standing, people congregating was banned and we were never interested in policing people or their bodies. Sit down lounge events were the only alternative, but with restaurants and bars already having so much on their plate, there wasn’t a lot of time, energy, or patience to focus on incorporating events. Under these conditions, we were still able to pull off alternative programing with a dance workshop and seated service film screening, but when it comes to a party the requirements were in total opposition to the entire point of our events, which is to allow people to come together, be free, feel comfortable expressing themselves, and let their guard down.

There is a certain irony here behind us pointing to following the orders as something that stood in our way, since our members have been behind all-night warehouse parties and pop-ups in the past — meaning bucking the law has never beyond us. Those were in instances of no harm, no foul. Emergency orders based on the recommendations of public health experts and epidemiologists meant to keep people safe though? That is very different. A little bending of the rules here and there is no longer just acting a little rebellious when people’s lives are at stake. It is detrimental to our culture and damaging to our community. We have always been a community minded collective, sourcing art, talent, and vendors locally and sometimes at great lengths just to make sure we what we put forward was an authentic and unique reflection of our area.

The COVID-19 deniers and naysayers have consistently taunted this caution as being ruled by fear, but once again there is a certain humor to anyone who should say that, seeing as our crew have almost killed themselves to put on events in previous times. From running on zero sleep to death-defying balancing acts setting up, close-call electrocutions to fleeing or sheltering from the calls of mother nature, they’ve been exposed to a lot. In the event of something more extreme, they would be some of the first to run into harms way and protect people. One of our co-founders and residents literally had a near-death experience from gigging. The truth is, we operate from a place of love and compassion. We love this music, the culture, and the people who are as passionate about it as us and care deeply for each one of them as a result. Maybe we are better served calling into question the motives of those that continued on as if it was all nothing. What were they thinking or afraid of? The reality is this is not a pleasant path to follow and we’re to discover there are not many good answers behind any attempts to justify it.

As music lovers first and foremost, the pandemic was an opportunity to step outside the grind of events and gigging to reconnect with and discover far more diverse music. Normal times often lead to routines, ruts, and relying only on songs that serve some utility. The music never stopped, artists continued making it, sharing it, and even playing it through livestreams. If anything, this connection with and over music was capable of being shared far wider than ever before. Platforms were shared with a sense of camaraderie, many seeking to document and expose new artists and DJs that might otherwise go overlooked. We learned to adapt in this way with a few livestreams of our own. Nobody is saying it is the ideal way to experience the culture, and we all certainly miss socializing and connection, but what about all the people who can no longer see or talk to their loved ones because they are gone? Whereas, we’re beginning to peek out of our quarantine shells and gather again, that luxury is now not afforded to over half a million Americans that have died.

We have always been firm believers in the idea of a safe space, a trait that goes back to the earliest seeds of this culture, like the rent parties held at David Mancuso’s Loft, where society’s marginalized could finally freely come together and express themselves in dance, without the stigmatization or pressures of the world. This guiding principle means always protecting our vulnerable, whether they identify as trans, queer, a woman, or noncomforming. During the pandemic, it meant the elderly, immunocompromised, and frontline medical and essential workers. In the same way we, as well as many promoters (especially those from Florida), have canceled events for hurricanes because we couldn’t reasonably ask people to drive out in such conditions and endanger themselves, the parties had to be put on pause.

As we explore what it means to restart in this transition period, we will continue to stick to these values and hope to finally offer a welcoming environment again for those that have felt excluded in some of the recklessness and disregard around them. While we explore dipping our toes back in, some may or may not hear about it, depending on if they share these values. It is nothing personal, it is just us reclaiming our spaces for feeling accepted, comfortable, and safe together again.

Receiving Pandemic Relief Grants from the City of St. Petersburg and Pinellas County

November 8, 2020 by Open House Conspiracy
News
COVID-19, creative arts, dance music, events, government, grants, Open House Conspiracy, pandemic, performing arts, Pinellas, relief, Saint Petersburg, small business

Because we believe it’s important during these times, we wanted to share some good news with you all. We’re happy to announce and thankful to have received a combined $5k in grants from the City of St. Petersburg and Pinellas County Government as a small arts business through their Fighting Chance Fund and Pinellas CARES Local Business Grant, respectively. While there was no requirement to thank them, we’d like to do so anyway in the name of openness and transparency. We greatly appreciate the city and county governments being proactive in taking care of their creative community, one which they proudly sell our area on in good times. Whereas it is easy to pay lip service to the arts, this is was them putting their money where their mouth is at a time when many things don’t necessarily come through or to fruition. If the amounts seem like a lot, it is a drop in the bucket compared to the normal revenues our business and others like us have missed out on, but we are grateful for any assistance. These may be merely bandages, as they do not heal all our wounds or stop the bleeding, but they give a sense of resolve and some security. Our local government officials deserve credit for this and we’re sure many of the other businesses in the arts will continue to exist as part of what makes this city shine once this is over because of it. Most importantly, with the health and safety of our community the number one priority for us as event organizers, they’ve stepped up to encourage, rather than punish, us for making necessary sacrifices and doing the right thing during this pandemic.

We’d also like to take the opportunity to talk about some of the ways in which we’re a part of the local creative economy. People come to dance to our DJs, but in addition to booking a diverse group of independent, underground artists, Open House Conspiracy also commissions art, design, and sometimes live projections from visual and graphic artists. In the past, we’ve also paid for art installations and performance art such as drag performers or entertainers when we can incorporate this. For many events we bring in photographers and videographers, whose work we treat as the art of story telling, rather than simply a marketing tool. We also secure space pro-bono for emerging artist exhibitions and dance and DJ workshops. Creativity has also been on display through working with local chefs for pop-up food concepts or vendors sharing their fashion style with the world. This year, we took our Dunedin International Film Festival programming to another level by incorporating a screening of ELECTRIC ROOTS and a talk on film composing by Reggie Dokes and are working on something similar for 2021. All of this is in addition to hiring more technical roles like sound, lights, and door, as well as supporting bar staff and supporting local boutique hotels with room reservations. It takes a whole community to pull off these events, including all of you who generously support us.

These funds will be used to cover our reoccurring bills, help with past and future livestreams, procure merchandise to sell online, keep our core DJs afloat where necessary, and return to events confidently and safely whenever it’s possible and responsible to do so.

Stay well and best wishes, until we can dance again.

Copyright © Open House Conspiracy LLC
All rights reserved