International Women’s Day is a good opportunity to take a moment and reflect on gender in dance music and this year’s global theme is “choose to challenge.” The existing disparities are glaringly obvious, even if just from a peripheral glance, but thanks to the work of groups like female:pressure and more women speaking out about their experiences in the industry, there is no doubt about the inequities facing women in dance music. Although women have always played various roles in our events, unfortunately, their representation behind the decks is an area where we must admit Open House Conspiracy comes up short as an organization. We are committed to changing this regardless of any reasons for it, but it is important to first try to understand it.
A good place to start is our bookings. To be clear, we do not book based on sex, age, race, nationality, sexual orientation, or any other factors like these and never have. This will not change. It is our opinion that trying to hit a quota would in turn become patronizing, for instance, but do not discourage anyone from doing what they feel it takes to reach more equitable outcomes. As a group that prioritizes music over all else, our programming standards have been strict. This means it’s hard to find DJs of any background that fit our music direction. When it comes to female representation on our lineups, we have certainly failed though.
On a local level, this is partly the result of a smaller pool of female DJs to even choose from. We are aware of one regional DJ that shares our interests and we have extended an open invite to play, but she is taking a break from DJing, so we’re limited to when she is ready again. There are others just starting out that are on our radar too. This lack of options does not make the transgression forgivable and we are by no means interested in using it to hang our hat on and give up. It has always been our ethos that if something doesn’t exist, we will create it. We have committed to annual DJ scholarships taught by our residents that focus on underrepresented and marginalized groups, prioritizing Black, female, LGBTQ, and low-income recipients. The selection for a female recipient has already been made thanks to the recommendation of one of our judging committee members, Christopher Scott Caldwell. She represents some of the intersectionality between these worlds, with a specific interest in ballroom culture, filling a void in DJs specialized for that community in Florida, and coming from Asian decent. We look forward to introducing her more officially in the future.
Of course, when it comes to touring talents, there is no justification for why representation has been lacking in our lineups, as there are plenty of women artists across the country and internationally to invite to play our party. We have been lucky to host the inspiring K-HAND, “the First Lady of Detroit techno” and a trailblazing artist who laid out a path for not just women but Detroit’s musical exports in general, regardless of gender, play for us. Also, we were thrilled to find out Jen Xerri, from DJ Minx‘s Women on Wax collective, regularly splits her time between Florida and Detroit and jumped on the opportunity to add her to our Jus-Ed day party last March, just before shutdown. There have surely been other women to play at our events, but when we are talking about merely a handful, we must do better and we are committed to challenging ourselves to do just that.