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equality

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International Women’s Day Challenge

March 8, 2021 by Open House Conspiracy
News
choose to challenge, club culture, dance music, DJ, electronic music, equality, female, gender gap, industry, International Women's Day, nightlife, women

International Women’s Day is a good opportunity to take a moment and reflect on gender in dance music and this year’s global theme is “choose to challenge.” The existing disparities are glaringly obvious, even if just from a peripheral glance, but thanks to the work of groups like female:pressure and more women speaking out about their experiences in the industry, there is no doubt about the inequities facing women in dance music. Although women have always played various roles in our events, unfortunately, their representation behind the decks is an area where we must admit Open House Conspiracy comes up short as an organization. We are committed to changing this regardless of any reasons for it, but it is important to first try to understand it.

A good place to start is our bookings. To be clear, we do not book based on sex, age, race, nationality, sexual orientation, or any other factors like these and never have. This will not change. It is our opinion that trying to hit a quota would in turn become patronizing, for instance, but do not discourage anyone from doing what they feel it takes to reach more equitable outcomes. As a group that prioritizes music over all else, our programming standards have been strict. This means it’s hard to find DJs of any background that fit our music direction. When it comes to female representation on our lineups, we have certainly failed though.

On a local level, this is partly the result of a smaller pool of female DJs to even choose from. We are aware of one regional DJ that shares our interests and we have extended an open invite to play, but she is taking a break from DJing, so we’re limited to when she is ready again. There are others just starting out that are on our radar too. This lack of options does not make the transgression forgivable and we are by no means interested in using it to hang our hat on and give up. It has always been our ethos that if something doesn’t exist, we will create it. We have committed to annual DJ scholarships taught by our residents that focus on underrepresented and marginalized groups, prioritizing Black, female, LGBTQ, and low-income recipients. The selection for a female recipient has already been made thanks to the recommendation of one of our judging committee members, Christopher Scott Caldwell. She represents some of the intersectionality between these worlds, with a specific interest in ballroom culture, filling a void in DJs specialized for that community in Florida, and coming from Asian decent. We look forward to introducing her more officially in the future.

Of course, when it comes to touring talents, there is no justification for why representation has been lacking in our lineups, as there are plenty of women artists across the country and internationally to invite to play our party. We have been lucky to host the inspiring K-HAND, “the First Lady of Detroit techno” and a trailblazing artist who laid out a path for not just women but Detroit’s musical exports in general, regardless of gender, play for us. Also, we were thrilled to find out Jen Xerri, from DJ Minx‘s Women on Wax collective, regularly splits her time between Florida and Detroit and jumped on the opportunity to add her to our Jus-Ed day party last March, just before shutdown. There have surely been other women to play at our events, but when we are talking about merely a handful, we must do better and we are committed to challenging ourselves to do just that.

Detroit DJ K-HAND at The Attic in Ybor, July, 2018

Why is dance music often notoriously absent of women? We’ve listened to many interviews and panels on the subject as we’ve come across them. Mixing the voices we’ve heard from with our own experiences, we believe it is a combination of lack of representation and a notoriously hostile environment. Sexism and misogynistic beliefs run rampant and are often left unchecked in this boys’ club of an industry, so women taking to the decks have to work twice as hard to be taken seriously and gain the same respect as their male counterparts. Besides, at the end of the day, technical skills can only get you so far, as nightclub DJing has devolved into something that is not exactly always a shining example of meritocracy. If a female DJ is technically as good as the next guy, what does it matter if they’re not “boys” with the booker or promoter? This uphill battle can help explain the conspicuous absence of women from the decks.

Some of you may have noticed this dynamic can spill out onto the dance floor as well. In a lot of instances, dance music crowds skew more heavily towards men. Once again, we must ask ourselves why? A message is already being sent by the lack of representation behind the decks that the club is not a place for women. Some of these men going out may aspire to be DJs and are there to seek inspiration or show a dedication to networking, often thinking, “I can be a DJ like him.” They can almost always see something of themselves in whoever is occupying the booth. There’s also the clubbing experience itself. Many women do not feel safe at nightclubs due to the predatory nature of pick up culture and those going out with that in mind. Instances of sexual harassment are more prevalent than anyone would like to admit and none of us are far removed from someone who has been victim to violent outcomes like rape or assault. These factors coupled with alcohol and drugs, can be a dangerous mixture.

This is why it is important to proactively and purposefully foster an environment often referred to as a “safe space,” where people feel welcome and the vulnerable are protected. There are many stories of victims not being heard or taken seriously. Thankfully, throughout our years of doing events we have been without serious incidence, as we’ve grown largely through word of mouth and organically. The bigger we got, the more of a concern maintaining this track record became. This is why Open House Conspiracy has a clearly laid out conduct policy page and places a link for attendees to check it out on our event listings. If this should detract would-be offenders who see it as “PC virtue signaling,” or whatever they want to label basic human decency these days, then so be it, we are better off without them. The other side is that those who have always wished for or seek such experiences feel seen and welcome by the intentions we’ve set out for participating in our events.

We will continue to choose to challenge the status quo, but make sure we are doing a better job when it comes to the disparity of women DJs in dance music through supporting with more representation in the lineups at our own events, offering learning opportunities for future female DJs, and extending our efforts to create an ever safer environment for all to enjoy.

Our Response to the Current Unrest

June 12, 2020 by Open House Conspiracy
News
Ahmaud Arbery, Breonna Taylor, dance music, dance party, disco, diversity, electronic music, equality, Florida, George Floyd, house music, inclusion, police brutality, Saint Petersburg, St. Pete, techno

Open House Conspiracy is asking our Tampa Bay house community to answer the call of these difficult times by coming together and joining in solidarity with the ongoing daily St. Pete protest marches on Saturday, June 13th and Saturday, June 27th. Protest groups meet at 2pm and 6:30pm at City Hall to begin their march routes. Attendees are encouraged to wear a mask and practice social distancing.

While we believe this is important, we also acknowledge that this is just one piece of the process and it alone is not enough. It is clear we must do more to take up actionable calls outside of this current period of unrest, including in our own music community.

Normally the June 27th date would be our annual St. Pete Pride party, but let us use it instead to remember the spirit of Pride’s origins. Each year celebrations throughout June honor the anniversary of the Stonewall Riots, an uprising that Black trans women like Marsha P. Johnson played a prominent role in and an event that served as the turning point for the queer community finally taking a stand against police brutality.

Dance music as we know it today would not exist without the contributions of Black and queer artists. Their communities gave birth to disco, house music, techno, and many of the musical forms that have precluded these or come after.

We owe it to our brothers and sisters to march in solidarity with the movement fighting for their lives, an end to police brutality, justice for all, the dismantling of systemic racism, and the equality that was promised, but is still yet to be delivered. We are tired of seeing the results of this in the senseless deaths of George Floyd, Breonna Taylor, Ahmaud Arbery, and so many others. From Ferguson to Minneapolis, there is a long list of names extrajudicially executed for what this nation has shamefully criminalized, being Black in America.

Our organization has always prided itself on facilitating an inclusive safe space for all in both principle and practice. Locally, we were one of the first and only to make these intentions explicit and lay them out in policy form on a dedicated page. When asking ourselves what more we can do to foster diversity and equity in our own dance music community, a few initiatives have been proposed:

• Conduct research into the lineups and booking practices of our prominent local promoters and venues. Findings will be compiled into a report that examines the level of equity in programming for the Tampa Bay region. With this information, we can better understand some of the problems at hand involving racial disenfranchisement and disproportionate representation within our own community. This is not without precedent and will be done in the spirit of and under the example set by other groups of a broader focus like female:pressure and their FACTS Survey.

• Regardless of the survey’s outcome — though the findings are expected to uncover large disparities that need to be addressed, including reflecting on any of our own blind spots — we are committed to creating an annual scholarship for DJing lessons and mentorship with three slots that prioritize Black, female, LGBTQ, and low-income recipients.

• Organize and add into our programming rotation an annual Southside-centric event to serve as a platform for Black voices with a focus on highlighting Black artists (both musically and visually), businesses (venues and suppliers), vendors (food, clothing, etc.), and organizations (non-profits, community groups).

• Continue to facilitate free, community oriented DJ and dance workshops, as well as music and history lectures, around our events.

• Host a panel discussing diversity in our local dance music community with speakers that include key, prominent stakeholders like venues and promoters in addition to DJs and patrons.

• Better communicate and solidify our long-standing door policy that does not exclude people because of their socioeconomic status. We have always tried to keep our cover charges as low as possible so that more people can enjoy our events. This has included waiving it for those down on their luck financially, struggling creatives, and even the homeless. Money should never be a barrier to dancing and connecting with likeminded people. We will create a more concrete pay-it-forward donation fund and free ticket option to help us maintain these practices and continue to bring vibrant parties to people from all walks of life in the Sunshine City.

If you have other suggestions or ideas regarding practices and initiatives we can implement to harbor a more equitable community, please feel free to reach out.

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