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How the Pandemic Has Shone a Spotlight on Our Values

May 21, 2021 by Open House Conspiracy
Editorial
COVID-19, culture, dance music, livestreaming, music, nightlife, pandemic, safe space, spotlight, values

For some, the pandemic was a real eye opener. With others, it just brought to the surface and exposed what we already knew. For our organization, it reinforced some of the traits that have come to define our collective and how we choose to operate. We are a community minded group driven by a deep passion for the music and culture. As the light at the end of the tunnel starts to wash over us, with more and more things feeling possible again and people beginning to envision a post-pandemic life, it’s a good opportunity to reflect on all this.

While there is a lot of talk about the future, it’s important to recognize that the pandemic isn’t over and at this point there is no clear cut closure, instead transitioning into another endemic risk we simply live with. We are all probably best served by cautious optimism and stripping of our reservations, rather than a full-fledged reversal of all the protections we’ve taken so far. Still, now that the local rules effectively shuttering our business have finally been lifted, the US vaccines have proven highly effective in the real world, and CDC guidance has changed (as a result) so that those who have done what is necessary to protect themselves and each other no longer have to be policed regarding masks, it feels like the pandemic is close to being behind us. There are still too many cases, but hopefully they continue to drop further down as more people get vaccinated, until they become a negligible background number. We must practice patience until then, as it will take some time to properly distribute and give people a fair shot at the vaccine.

This may come as a surprise to some since compliance was often completely absent, but for much of the pandemic we were not legally allowed to operate as a dance party. While we could work within requiring masks when standing, people congregating was banned and we were never interested in policing people or their bodies. Sit down lounge events were the only alternative, but with restaurants and bars already having so much on their plate, there wasn’t a lot of time, energy, or patience to focus on incorporating events. Under these conditions, we were still able to pull off alternative programing with a dance workshop and seated service film screening, but when it comes to a party the requirements were in total opposition to the entire point of our events, which is to allow people to come together, be free, feel comfortable expressing themselves, and let their guard down.

There is a certain irony here behind us pointing to following the orders as something that stood in our way, since our members have been behind all-night warehouse parties and pop-ups in the past — meaning bucking the law has never beyond us. Those were in instances of no harm, no foul. Emergency orders based on the recommendations of public health experts and epidemiologists meant to keep people safe though? That is very different. A little bending of the rules here and there is no longer just acting a little rebellious when people’s lives are at stake. It is detrimental to our culture and damaging to our community. We have always been a community minded collective, sourcing art, talent, and vendors locally and sometimes at great lengths just to make sure we what we put forward was an authentic and unique reflection of our area.

The COVID-19 deniers and naysayers have consistently taunted this caution as being ruled by fear, but once again there is a certain humor to anyone who should say that, seeing as our crew have almost killed themselves to put on events in previous times. From running on zero sleep to death-defying balancing acts setting up, close-call electrocutions to fleeing or sheltering from the calls of mother nature, they’ve been exposed to a lot. In the event of something more extreme, they would be some of the first to run into harms way and protect people. One of our co-founders and residents literally had a near-death experience from gigging. The truth is, we operate from a place of love and compassion. We love this music, the culture, and the people who are as passionate about it as us and care deeply for each one of them as a result. Maybe we are better served calling into question the motives of those that continued on as if it was all nothing. What were they thinking or afraid of? The reality is this is not a pleasant path to follow and we’re to discover there are not many good answers behind any attempts to justify it.

As music lovers first and foremost, the pandemic was an opportunity to step outside the grind of events and gigging to reconnect with and discover far more diverse music. Normal times often lead to routines, ruts, and relying only on songs that serve some utility. The music never stopped, artists continued making it, sharing it, and even playing it through livestreams. If anything, this connection with and over music was capable of being shared far wider than ever before. Platforms were shared with a sense of camaraderie, many seeking to document and expose new artists and DJs that might otherwise go overlooked. We learned to adapt in this way with a few livestreams of our own. Nobody is saying it is the ideal way to experience the culture, and we all certainly miss socializing and connection, but what about all the people who can no longer see or talk to their loved ones because they are gone? Whereas, we’re beginning to peek out of our quarantine shells and gather again, that luxury is now not afforded to over half a million Americans that have died.

We have always been firm believers in the idea of a safe space, a trait that goes back to the earliest seeds of this culture, like the rent parties held at David Mancuso’s Loft, where society’s marginalized could finally freely come together and express themselves in dance, without the stigmatization or pressures of the world. This guiding principle means always protecting our vulnerable, whether they identify as trans, queer, a woman, or noncomforming. During the pandemic, it meant the elderly, immunocompromised, and frontline medical and essential workers. In the same way we, as well as many promoters (especially those from Florida), have canceled events for hurricanes because we couldn’t reasonably ask people to drive out in such conditions and endanger themselves, the parties had to be put on pause.

As we explore what it means to restart in this transition period, we will continue to stick to these values and hope to finally offer a welcoming environment again for those that have felt excluded in some of the recklessness and disregard around them. While we explore dipping our toes back in, some may or may not hear about it, depending on if they share these values. It is nothing personal, it is just us reclaiming our spaces for feeling accepted, comfortable, and safe together again.

International Women’s Day Challenge

March 8, 2021 by Open House Conspiracy
News
choose to challenge, club culture, dance music, DJ, electronic music, equality, female, gender gap, industry, International Women's Day, nightlife, women

International Women’s Day is a good opportunity to take a moment and reflect on gender in dance music and this year’s global theme is “choose to challenge.” The existing disparities are glaringly obvious, even if just from a peripheral glance, but thanks to the work of groups like female:pressure and more women speaking out about their experiences in the industry, there is no doubt about the inequities facing women in dance music. Although women have always played various roles in our events, unfortunately, their representation behind the decks is an area where we must admit Open House Conspiracy comes up short as an organization. We are committed to changing this regardless of any reasons for it, but it is important to first try to understand it.

A good place to start is our bookings. To be clear, we do not book based on sex, age, race, nationality, sexual orientation, or any other factors like these and never have. This will not change. It is our opinion that trying to hit a quota would in turn become patronizing, for instance, but do not discourage anyone from doing what they feel it takes to reach more equitable outcomes. As a group that prioritizes music over all else, our programming standards have been strict. This means it’s hard to find DJs of any background that fit our music direction. When it comes to female representation on our lineups, we have certainly failed though.

On a local level, this is partly the result of a smaller pool of female DJs to even choose from. We are aware of one regional DJ that shares our interests and we have extended an open invite to play, but she is taking a break from DJing, so we’re limited to when she is ready again. There are others just starting out that are on our radar too. This lack of options does not make the transgression forgivable and we are by no means interested in using it to hang our hat on and give up. It has always been our ethos that if something doesn’t exist, we will create it. We have committed to annual DJ scholarships taught by our residents that focus on underrepresented and marginalized groups, prioritizing Black, female, LGBTQ, and low-income recipients. The selection for a female recipient has already been made thanks to the recommendation of one of our judging committee members, Christopher Scott Caldwell. She represents some of the intersectionality between these worlds, with a specific interest in ballroom culture, filling a void in DJs specialized for that community in Florida, and coming from Asian decent. We look forward to introducing her more officially in the future.

Of course, when it comes to touring talents, there is no justification for why representation has been lacking in our lineups, as there are plenty of women artists across the country and internationally to invite to play our party. We have been lucky to host the inspiring K-HAND, “the First Lady of Detroit techno” and a trailblazing artist who laid out a path for not just women but Detroit’s musical exports in general, regardless of gender, play for us. Also, we were thrilled to find out Jen Xerri, from DJ Minx‘s Women on Wax collective, regularly splits her time between Florida and Detroit and jumped on the opportunity to add her to our Jus-Ed day party last March, just before shutdown. There have surely been other women to play at our events, but when we are talking about merely a handful, we must do better and we are committed to challenging ourselves to do just that.

Detroit DJ K-HAND at The Attic in Ybor, July, 2018

Why is dance music often notoriously absent of women? We’ve listened to many interviews and panels on the subject as we’ve come across them. Mixing the voices we’ve heard from with our own experiences, we believe it is a combination of lack of representation and a notoriously hostile environment. Sexism and misogynistic beliefs run rampant and are often left unchecked in this boys’ club of an industry, so women taking to the decks have to work twice as hard to be taken seriously and gain the same respect as their male counterparts. Besides, at the end of the day, technical skills can only get you so far, as nightclub DJing has devolved into something that is not exactly always a shining example of meritocracy. If a female DJ is technically as good as the next guy, what does it matter if they’re not “boys” with the booker or promoter? This uphill battle can help explain the conspicuous absence of women from the decks.

Some of you may have noticed this dynamic can spill out onto the dance floor as well. In a lot of instances, dance music crowds skew more heavily towards men. Once again, we must ask ourselves why? A message is already being sent by the lack of representation behind the decks that the club is not a place for women. Some of these men going out may aspire to be DJs and are there to seek inspiration or show a dedication to networking, often thinking, “I can be a DJ like him.” They can almost always see something of themselves in whoever is occupying the booth. There’s also the clubbing experience itself. Many women do not feel safe at nightclubs due to the predatory nature of pick up culture and those going out with that in mind. Instances of sexual harassment are more prevalent than anyone would like to admit and none of us are far removed from someone who has been victim to violent outcomes like rape or assault. These factors coupled with alcohol and drugs, can be a dangerous mixture.

This is why it is important to proactively and purposefully foster an environment often referred to as a “safe space,” where people feel welcome and the vulnerable are protected. There are many stories of victims not being heard or taken seriously. Thankfully, throughout our years of doing events we have been without serious incidence, as we’ve grown largely through word of mouth and organically. The bigger we got, the more of a concern maintaining this track record became. This is why Open House Conspiracy has a clearly laid out conduct policy page and places a link for attendees to check it out on our event listings. If this should detract would-be offenders who see it as “PC virtue signaling,” or whatever they want to label basic human decency these days, then so be it, we are better off without them. The other side is that those who have always wished for or seek such experiences feel seen and welcome by the intentions we’ve set out for participating in our events.

We will continue to choose to challenge the status quo, but make sure we are doing a better job when it comes to the disparity of women DJs in dance music through supporting with more representation in the lineups at our own events, offering learning opportunities for future female DJs, and extending our efforts to create an ever safer environment for all to enjoy.

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